![]() ![]() Fictive motion in language and “ception”. Exploring the Language of Poems, Plays and Prose. Language and World Creation in Poems and Other Texts. Computing Department, Lancaster University. Wmatrix: A Web-Based Corpus Processing Environment. State University of New York Press: New York. In New Perspectives on Narrative Perspective, eds. A point of view on point of view or refocusing focalization. Studies in 20th Century Literature 6, 1: 37–50. New York: State University of New York Press. Why Narrators Can Be Focalizers and Why It Matters. Fictions of Discourse: Reading Narrative Theory. Unreliable Narration and Trustworthiness: Intermedial and Interdisciplinary Perspectives. In The Routledge Handbook of Stylistics, ed. Amsterdam and Philadelphia: John Benjamins. Point of View in Plays: A Cognitive Stylistic Approach to Viewpoint in Drama and other Text-Types. Point of View and Drama: A Socio-Pragmatic Analysis of Dennis Potter’s Brimstone and Treacle. In The Cambridge Handbook of Cognitive Linguistics, ed. Individuals in Narrative Worlds: An Ontological Perspective. Characterization in Narrative: Some Theoretical Prolegomena. Dementia Mind Styles in Contemporary Narrative Fiction. In Analysing Discourse Strategies in Social and Cognitive Interaction: Multimodal and Cross-linguistic Perspectives, eds. ‘A text-world account of temporal world-building strategies in Spanish and English spoken narratives. In World Building: Discourse in the Mind, eds. Code-switching in the text-world of a multilingual play: The senile mind style in You and Me. Cambridge and New York: Cambridge University Press. In Proceedings of the 15th International Conference on Computational Linguistics (COLING 94), Kyoto, Japan, 622–628. CLAWS4: The Tagging of the British National Corpus. An analysis of viewpoints by the use of frequent multi-word sequences in DH Lawrence’s Lady Chatterley’s Lover. Corpus Stylistics in Principles and Practice: A Stylistic Exploration of John Fowles’ The Magus. In Three Novels of Ernest Hemingway, 3–247. In Corpus Annotation: Linguistic Information from Computer Text Corpora, eds. In Using Corpora for Language Research: Studies in the Honour of Geoffrey Leech, eds. The Robust Tagging of Unrestricted Text: The BNC Experience. In The Computational Analysis of English: A Corpus-based Approach, eds. The Fictions of Language and the Languages of Fiction: The Linguistic Representation of Speech and Consciousness. New York and London: Scribner.įludernik, M. New York: John Wiley & Sons.įitzgerald, F. Anaphora and Deixis: Same, Similar, or Different? In Speech, Place and Action: Studies in Deixis and Related Topics, eds. Hillsdale: Lawrence Erlbaum Associates.Įhlich, K. Deixis in Narrative: A Cognitive Science Perspective. Narrative Unreliability in the Twentieth-Century First-Person Novel. Viewpoint Phenomena in Multimodal Communication. ![]() Ithaca, NY: Cornell University Press.ĭancygier, B. Coming to Terms: The Rhetoric of Narrative in Fiction and in Film. Characters and Narrators: Filter, Center, Slant, and Interest Focus. Ithaca: Cornell University Press.Ĭhatman, S. Story and Discourse: Narrative Structure in Fiction and Film. Theory of Language: The Representational Function of Language. Cambridge and New York: Cambridge University Press.īühler, K. Psychonarratology: Foundations for the Empirical Study of Literary Response. Psychonarratology: Foundations for the empirical study of literary response.īortolussi, M. The Longman Grammar of Spoken and Written English. London and Boston: Faber and Faber.īiber, D., Johansson, S., Leech, G., Conrad, S., and Finegan, E. Toronto: University of Toronto Press.īeckett, S. London: Hutchinson International Authors.īal, M. In the final section of this chapter, we explore how corpus methods can be used to look at point of view in prose fiction.Īnand, H. Following (Short, Exploring the Language of Poems, Plays and Prose, Longman, Harlow, 1996), we provide a usable checklist of features for the analysis of viewpoint. Then, synthesising a vast body of scholarship, we provide an overview of the textual cues that can be used to identify and analyse point of view. ![]() Following that, we go on to look at narration and different types of narrators. ![]() Our discussion of point of view starts by looking at what is meant by narrative. Central to this structure is the narrator, who-although possible in poetry and drama-is fundamental to prose fiction. Point of view in narrative is one of the most widely discussed subjects in Narratology (the science of narrative) and Stylistics and this is largely because prose fiction comprises a three-tiered discourse structure. This chapter deals with point of view in texts, in particular prose fiction. ![]()
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